Renowned for his provocative use of light and sensitivity to the subtle moods of his surroundings, Julian is able to capture intimate moments of timeless elegance and spontaneity. His ability to engage with his subjects on an extremely honest and raw level has made him a trusted choice for a wide spectrum of female celebrities, including Kate Moss, Ines de la Fressange, Emma Watson, Gemma Arterton, Darcy Bussell, Erin O’Conner and Daisy Lowe.
Since 2012, Julian has exhibited his images throughout Europe, in both solo and group showcases, highlights include : 'The Other Art Fair' London (2017); ‘No Artists No Art’, Lights of Soho, London (2017); ‘Fashion For Future’ Paris (2016); ‘Julian Marshall Photography’, Whitehall Court, London (2014); ‘Julian Marshall Solo Showcase’, Mortons, London (2012)
Sophia Lyndis Brandt - Newhaven Beach
Shot at Newhaven Beach on the english coast, this series was a collaboration between the artist and Sophia Lyndis Brandt, the great niece of Bill Brandt, the Austrian photographer, and is a performance understanding of his experience whilst shooting his iconic pictures at Birling Gap., From the journey to the south coast itself, to the taking of the photographs, the images reflect two journeys in fact, of discovery, for the artist and the model. In celebration of this, a book and an instillation of the beach itself is planned.
Flora Phillips - Venus As a Boy
From a discussion on androgyny, to an essay in freedom, this series was taken during an afternoon in Greenwich, London. It represents a performance in freedom, trust, and acceptance.
First published in Collectible Dry Magazine in April 2018, the series will be featured in an upcoming book and gallery show.
90 H x 115 W cm. Edition of 6 (Framed as shown)
Originally shot in NYC, during a cold winters day, the image is from an editorial for Oyster Magazine taken in 1998. The model is positioned within a car interior, is dressed in luminous yellow tights and silva bra top. She lies slumped against the steering wheel, in a dramatic pose, her legs bent uncomfortably back, implying a sense of movement. The image is from a series of seven images, and was shot on film, and is in square format. Printed on fine art paper the colours sing out, and arrest the viewers eye.
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From 1998 until the present day, Julian has kept a note book recording technical details, places and names of those he collaborated with, as well as a visual documentation of the work itself. All of this can be found here in the pages of this book.
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Galerie Marguerite Milin
46 Rue du Château d'Eau, 75010 Paris
+33 6 61 77 14 76
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